NINA KRAVIZ (RU) | RED AXES (ISR) | fjaak (DE) | FACTA (UK) | CHLOÉ ROBINSON (UK) | EL_TXEF_AB2B BALZA (es) | Jailed Jamie aka Skygaze (ES) | Enrique Del Castillo: Umbráfono (ES) | DANS (es) | ARIZONAKO BILLY (es) | The Two Mamarrachos (ES) | Neska (ES) | MATVOICE (UKR)| kimho (ES) | miravalles (ES) | orphidal (ES) | lagant (ES) | loreak (ES) | ABYME NABAR (ES) | HEARTz family x bihotza (es) | Akazie (ES) | Modulor (ES)
Remains, flows, magma.
Flows of forgotten remains, patinas of dreams and seas of still boiling magma.
We tread on centuries of traces and ancient customs, which are beneath us, so far and yet so close, breathing the same dreams of yesteryear.
We grow on layers of legacies, projections and past illusions, on which we build to generate new ones.
Flows and currents that dry up and chafe, stun and anger us.
Thus, we continue to leave to the next new waste, debris and residues.
Patinas in the form of plastic, of human and animal underprivileged, clothes, wars and forgotten stories.
Lava that burns us but that we cover with our own wounds. Trying to escape through infinite and impossible goals.
Electronic music navigates over this remains, rediscovering it, making us see things we did not expect.
To innovate is to reinterpret, to revive, to resurrect what is hidden, buried.
The absence of labels, prejudices and grudges that music brings us, makes us freer, conscious, and critical.
It helps us to dream that to advance is not always needed to create new things, but to be more conscious of what we are and what we have around.
Generating a legacy without waste, remains, or forgotten in that sea of plastic and magma.